<urlset
    xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
    xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9
        http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd">

            <url>
                        <loc>https://work.tomashlava.com/header</loc>
            
            
            <lastmod>2026-03-24T15:49:17+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2138193054424087914711483790544/lfllb13omxmc1.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;--font-scale: 0.99;&quot;&gt;Móda Magazine&lt;br /&gt;Amsterdam, The Netherlands, 2022&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;--font-scale: 0.99;&quot;&gt;Cover: Offset, 877C + Black,  Chromolux 220 g&lt;br /&gt;Inside: Digital, CMYK, Offset 70 g&lt;/span&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2138637782605082632886654710992/4_Stravastraat.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Stravastraat typeface&lt;br /&gt;&lt;br /&gt;Designed and drawn with Una Maria Magnusdottir. Published in De Gids, Amsterdam, The Netherlands, July 2023.&lt;a hash=&quot;R2143269068953171123842790569168&quot; href=&quot;https://freight.cargo.site/original/i/R2143269068953171123842790569168/GraCampaign_DailyProgramme_A4.pdf&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;
&lt;br /&gt;
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2139959058301031446011768583376/3_Showreel_2.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Typefaces 2022—2023&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2142940263745944179075180770512/IMG_8612.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;The Power of Beauty&lt;br /&gt;Silkscreen, 80 pages,  1 x 1,5 cm&lt;br /&gt;
&lt;br /&gt;Gerrit Rietveld Academie, 2021&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2142943006739894451538086966480/JanFoldingBook_Cover.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2142950574000141856817769985232/IMG_9438_cropped.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Without Title, Folding Book, 2021&lt;/div&gt;&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2142952221847789961292015842512/CommunalMind_Cover_2.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;The Communal Mind&lt;br /&gt;

128 pages, Silkscreen
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2142952221866236705365725394128/46_Louise.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;The Communal Mind&lt;br /&gt;128 pages, Silkscreen&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2142952221774002984997177636048/CommunalMind_Cover_1.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;The Communal Mind&lt;br /&gt;
128 pages, Silkscreen&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2142957789757680937561946961104/IMG_2418.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Offset Posters&lt;br /&gt;
Multiple spot color
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2142959474092988819833685914832/IMG_7791.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Offset Investigation&lt;br /&gt;
&lt;br /&gt;Slowing down and disrupting the process of developing the plate.&lt;br /&gt;
Gold 871 U, Green 802 U


&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2143065394504250064909554267344/49_MaximageReprinted_X.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Maximage Color Combinations,  Reprinted&lt;br /&gt;Amsterdam, The Netherlands, 2021&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Offset, Mutliple spot and process colors&lt;br /&gt;One copy, 240 pages&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2143065394780951226015197541584/33_Maximage_Color_Combinations_Reprinted_X.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Maximage Color Combinations,  Reprinted&lt;br /&gt;Amsterdam, The Netherlands, 2021&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Offset, Mutliple spot and process colors&lt;br /&gt;One copy, 240 pages&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2143072532508762874967971181776/16_Thesis_Presentation_Scan.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Rietveld Thesis Presentation&lt;br /&gt;Gerrit Rietveld Academie, 2021&lt;br /&gt;
&lt;br /&gt;Thesis presentation for 21 selected students from the Academie. For the first time that year, students refused to participate in the competition and decided not to select anyone as a winner. In that context, the presentation has been typeset only in 21 points, only in lowercase and always in the center across all the media. The presentation also consist of wooden prizes with a height of 21 centimeters, used A4 with its 21 centimeter width, and aligned all of them equally next to each other.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2143072532232061713862327907536/IMG_9777.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Rietveld Thesis Presentation&lt;br /&gt;
Gerrit Rietveld Academie, 2021&lt;br /&gt;
&lt;br /&gt;
Thesis presentation for 21 selected students from the Academie. For the first time that year, students refused to participate in the competition and decided not to select anyone as a winner. In that context, the presentation has been typeset only in 21 points, only in lowercase and always in the center across all the media. The presentation also consist of wooden prizes with a height of 21 centimeters, used A4 with its 21 centimeter width, and aligned all of them equally next to each other.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2143072532490316130894261630160/IMG_9744.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Rietveld Thesis Presentation&lt;br /&gt;Gerrit Rietveld Academie, 2021&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2143076692968974515346533102800/IMG_9704.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Rietveld Thesis Presentation&lt;br /&gt;Gerrit Rietveld Academie, 2021&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2143079944336744715170972284112/52_Rietveld_Billboard_2.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Without Title&lt;br /&gt;
Silkscreen, 1189 mm x 5046 mm
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2143079944262957738876134077648/28_Rietveld_Billboard_X.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Without Title&lt;br /&gt;Silkscreen, 1189 mm x 5046 mm&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2143083728169782602621618861264/13_Potatoes.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Cooked and drawn in Jungmyung Lee’s class. Published in De Gids, Amsterdam, The Netherlands, January 2024.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2143083728095995626326780654800/DeGids_Potatoe_1.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Potatoe Typeface. Designed and drawn in Jungmyung Lee’s class. Published in De Gids, Amsterdam, The Netherlands, January 2024.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2143087357695806313491866170576/11_Offset_posters.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Offset Posters&lt;br /&gt;Multiple spot color&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2143087357585125849049608860880/59_Joos_Offest_Gradients.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Offset Posters &lt;br /&gt;
Publication, 2022&lt;br /&gt;
&lt;br /&gt;
Multiple spot colors, Browsed by Joos Wiersinga (Head of the offset printing workshop at the Gerrit Rietveld Academie)
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2143105291306800124664884868304/CouldYouPassMeTheSpoon_BackAndFront.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Could you pass me the spoon, please?&lt;br /&gt;
Amsterdam, The Netherlands, 2023&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Could you pass me the spoon?&lt;/i&gt; is a book involving four cooking sessions with myself and students from the graphic design department at the Gerrit Rietveld Academie. It uses cooking as a tool to create space for discussions—about designing, food and other everyday life topics. What becomes clear is the way we talk, what we talk about and what our interests are. It resulted in a series of publications. Each of the dinners are transcribed and typeset in a typeface, designed by the person who was invited to cook.&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2143108039871667107388075652304/IMG_4688.JPG</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;--font-scale: 0.99;&quot;&gt;Móda Magazine&lt;br /&gt;Amsterdam, The Netherlands, 2022&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;--font-scale: 0.99;&quot;&gt;Cover: Offset, 877C + Black,  Chromolux 220 g&lt;br /&gt;Inside: Digital, CMYK, Offset 70 g&lt;/span&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2143108040000794315904042513616/ModaMagazine.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;--font-scale: 0.94;&quot;&gt; Móda Magazine&lt;br /&gt;Amsterdam, The Netherlands, 2022&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: left&quot;&gt;877 C + Black,  Chromolux 220 g&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2143146919059580340955991356624/Moda_Gif_3.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Móda Magazine&lt;br /&gt;
Amsterdam, The Netherlands, 2022&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Móda is a visual narrative that represents the fashion of Czech and Slovakian women during Communism between 1948 and 1969. After World War II, the Communist regime behind the Iron Curtain struggled to provide enough textiles and clothing for its people. Industrial recovery in Czechoslovakia lagged behind Western Europe, yet people were still inspired by Western fashion until the Soviet occupation in 1969, when life became more restrictive. During this period, when new styles were hard to come by, magazines like Žena a život or Praktická žena offered patterns for making garments at home. Móda seeks to illustrate this time, highlighting gestures, costumes, and clothes sewn by today’s mothers and grandmothers.&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Cover: Offset, 877C + Black,  Chromolux 220 g&lt;br /&gt;
Inside: Digital, CMYK, Offset 70 g&lt;br /&gt;
Size: 34 x 25,5 cm — Size of the original magazines from which the content had been scanned.  &lt;br /&gt;


&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2143231379524910412319825442000/29_Drawing_X.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Behind the State Capitol&lt;br /&gt;
&lt;br /&gt;
Drawn on A2 sheets, later scanned and digitally reprinted in the original size&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2143232718703189931412144108752/22_Stravastraat_Scan.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Stravastraat typeface in use&lt;br /&gt;&lt;br /&gt;Designed and drawn with Una Maria Magnusdottir. Published in De Gids, Amsterdam, The Netherlands, July 2023 by Floor Koomen.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2143234400455953643364545836240/IMG_8841bw.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gefko Typeface&lt;br /&gt;
Yale School of Art, 2023
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2143238137710962744698574582992/IWATSOA.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;










I Walked All The Streets of Amsterdam&lt;br /&gt;Amsterdam, The Netherlands, 2023
&lt;/div&gt;&lt;br /&gt;

&lt;div style=&quot;text-align: left&quot;&gt;I walked all the streets of Amsterdam is a book about designer Nanna Due&amp;#x27;s personal project where she decided to walk all the streets in Amsterdam. The book consists of an interview and her personal photos. Reading the book it is ambiguous whether she walked all the streets or not–but does it really matter? Made in collaboration with Nanna Due in 2023.&lt;br /&gt;
&lt;br /&gt;10,5 x 14,8 cm, BW, Chromolux 220 g, Holmen TRDN 70 g&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2143268948569719298814256723152/9_GRA_Graduation_Show_Poster.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;










Gerrit Rietveld Academie Graduations Show Identity 2023
&lt;br /&gt;Designed in collaboration with Jungeun Yang and Yoohee Cha.


&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Poster in the center of Amsterdam, The Netherlands.

&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2143268948606612786961675826384/GRA_Show_FloorPlan.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduations Show Identity 2023&lt;br /&gt;
Designed in collaboration with Jungeun Yang and Yoohee Cha.&lt;br /&gt;
&lt;br /&gt;
List of graduating students, Floor Plan&lt;br /&gt;
Offset, CMYK 4/1, Biotop 100 g, Pirelli from Jung-Lee Type Foundry in use. 
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2143268948588166042887966274768/2106digital-night.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduations Show Identity 2023&lt;br /&gt;
Designed in collaboration with Jungeun Yang and Yoohee Cha.&lt;br /&gt;&lt;br /&gt;List of graduating students, Floor Plan&lt;br /&gt;Offset, CMYK 4/1, Biotop 100 g&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2143268948422145346224580310224/31_GRA_flags_2.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduation Show Identity 2023&lt;br /&gt;

&lt;/div&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Designed in collaboration with Jungeun Yang and Yoohee Cha.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2143272988462011673427189282000/GraCampaign_DailyProgramme_A4.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduation Show Identity 2023&lt;br /&gt;

&lt;/div&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Designed in collaboration with Jungeun Yang and Yoohee Cha.&lt;br /&gt;
&lt;br /&gt;
Daily Programme&lt;br /&gt;Offset, CMYK 4/1, Biotop 100 g&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2143276674250604809111569020112/GRA_Campaign_Floorplan_A3_Final-3.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduation Show Identity 2023&lt;br /&gt;

&lt;/div&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Designed in collaboration with Jungeun Yang and Yoohee Cha.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2143277688231233052778202248400/IMG_0531.JPG</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduation Show Identity 2023&lt;br /&gt;

&lt;/div&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Designed in collaboration with Jungeun Yang and Yoohee Cha.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2143278456150742097233126470864/5_Kijk-_on_swing_2.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Kijk Publication&lt;br /&gt;Amsterdam, The Netherlands, 2023&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;br /&gt;Over the years, the works and tools published by the Swiss design studio Maximage have found their way onto the bookshelves of the Offset &amp;#x26; Print making workshop, at the Gerrit Rietveld Academie. Joos often refers to certain pages from the publications of Maximage as examples and inspirations for works made in the workshop. Maximage’s work demonstrates how a practice of a graphic designer can develop and be defined through an intense connection to making and experimenting. The following pages feature an interview typeset on offset printed gradients, designed and produced in June 2023 at the Gerrit Rietveld Academie in collaboration with Maximage and Tomáš Hlava.&lt;br /&gt;&lt;br /&gt;Offset: 801 U, 802 U, 803 U, 805 U&lt;br /&gt;500 Copies, Sewn Bound&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2143278456040061632790869161168/14_Kijk_Publication_Scan.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Kijk Publication&lt;br /&gt;Amsterdam, The Netherlands, 2023&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;br /&gt;Offset: 801 U, 802 U, 803 U, 805 U&lt;br /&gt;500 Copies, Sewn Bound&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2143278456132295353159416919248/35_Kijk_in_print.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;










Kijk Publication&lt;br /&gt;
Amsterdam, The Netherlands, 2023&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;br /&gt;
Offset: 801 U, 802 U, 803 U, 805 U&lt;br /&gt;500 Copies, Sewn Bound&lt;br /&gt;
In Collaboration with &lt;a href=&quot;https://www.instagram.com/maximage_societe_suisse/&quot;&gt;Maximage.&lt;/a&gt;
&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2143279117208262722688618181840/26_GRA_Graduation_Show_Poster2.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduations Show Identity 2023&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;br /&gt;The graduation show is the Rietveld largest annual event, and it seems to fall like a meteor out of the sky—a palpable silence as it approaches, ending in a bang. The campaign is, ultimately, a graphic translation of a general graduation years ‘vibe’. It begins outside of the school and continues into the interior, guiding a visitor through the many graduation works. &lt;br /&gt;
&lt;br /&gt;Designed in collaboration with Jungeun Yang and Yoohee Cha.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2143282475105979948185717945552/19_F.mp4</image:loc>
                                            <image:caption>










&lt;div style=&quot;text-align: left&quot;&gt;ABCFWGX, Graduation Project&lt;br /&gt;Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2023&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Dimensional typographic works that explore physical limitation, form, arrangement, and context as toold that question the edges of typographic principles. These works present a possibiity from which typographic language (letters) can be extracted or generated, and new alphabets might be designed. Sculptures from various materials, projection and roof instalation.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2143282474939959251522331981008/IMG_0623-2.JPG</image:loc>
                                            <image:caption>










&lt;div style=&quot;text-align: left&quot;&gt;ABCFWGX, Graduation Project&lt;br /&gt;Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2023&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Dimensional typographic works that explore physical limitation, form, arrangement, and context as tools that question the edges of typographic principles. These works present a 
possibility from which typographic language (letters) can be extracted or generated, and new alphabets might be designed. Sculptures from various materials, projection and roof installation.&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2143282475124426692259427497168/8_YELLOW_at_the_Gerrit_Rietveld_Academie_X.jpeg</image:loc>
                                            <image:caption>










&lt;div style=&quot;text-align: left&quot;&gt;ABCFWGX, Graduation Project&lt;br /&gt;
Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2023&lt;/div&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: left&quot;&gt;Dimensional typographic works that explore physical limitation, form, arrangement, and context as tools that question the edges of typographic principles. These works present a 
possibility from which typographic language (letters) can be extracted or generated, and new alphabets might be designed. Sculptures from various materials, projection and roof installation.&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2143457140186723947404373374160/Machine-Final.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.86);&quot;&gt;Machine As Medium Symposium, 2023&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.82);&quot;&gt;New Haven, CT, USA&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Identity for Yale CCAM (Centrum for Collaborative Arts and Media at Yale)&lt;br /&gt;

 
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2143457140352744644067759338704/Alan-Turing-Final.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.86);&quot;&gt;I am Alan Turing&lt;br /&gt;
Machine As Medium Symposium, 2023&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.82);&quot;&gt;New Haven, CT, USA&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Identity for Yale CCAM (Centrum for Collaborative Arts and Media at Yale)&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2146187375667818757983708755152/57_I_walked_all_the_streets_of_Amsterdam_Susu_2.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;I Walked All The Streets of Amsterdam&lt;br /&gt;Amsterdam, The Netherlands, 2023&lt;/div&gt;&lt;br /&gt;

&lt;div style=&quot;text-align: left&quot;&gt;I walked all the streets of Amsterdam is a book about designer Nanna Due&amp;#x27;s personal project where she decided to walk all the streets in Amsterdam. The book consists of an interview and her personal photos. Reading the book it is ambiguous whether she walked all the streets or not–but does it really matter? Made in collaboration with Nanna Due in 2023.&lt;br /&gt;
&lt;br /&gt;10,5 x 14,8 cm, BW, Chromolux 220 g, Holmen TRDN 70 g&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2146544707547270585708062291152/27_Yale_Paprika_Issue_2_Youngjin_Park_backside_X.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Paprika!&lt;br /&gt;
New Haven, CT, USA, Fall 2023&lt;br /&gt;
&lt;br /&gt;
In collaboration with Youngjin Park
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2146559820392841109658705179856/ScrambledEggs_1.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Scrambled Eggs&lt;br /&gt;New Haven, CT, USA, 2024&lt;br /&gt;
&lt;br /&gt;Typeset in my Times Regular, drawn in spring 2024.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2146559820577308550395800696016/ScrambledEggs_Cover.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Scrambled Eggs&lt;br /&gt;
New Haven, CT, USA, 2024&lt;br /&gt;
&lt;br /&gt;
Speaker 1 and Speaker 2 discuss the changing nature of romantic love and relationships. Speaker 1 believes that romantic love is a practical and simple thing, while Speaker 2 thinks it’s an illusion. Speaker 1 argues that romantic love is about being with someone you like and finding comfort in their company, while Speaker 2 believes that it’s an unrealistic and often harmful concept.&lt;br /&gt;&lt;br /&gt;On February 25th Sunday, Julio took me for breakfast to Georgies Diner in West Haven. Little did he know I was recording. Two months later, I designed one section in his thesis from what was exchanged over the table.&lt;br /&gt;
&lt;br /&gt;
Typeset in my Times Regular, drawn in spring 2024.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2154413386670503075779008902352/Supra-Sheet-Front-7-mb.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Supra, Back side&lt;br /&gt;
&lt;br /&gt;During our department’s six-week residency in Georgia, we came across the country’s many traditions related to food. From our very first meeting, to our last farawell, our gatherings took place around the georgian feast called Supra. Our underfined printed matter can serve as a tablecloth, wrapping paper, or a as a tool of distribution including talks we had about the meanings and social functions of Supra in Georgia. Designing and public baking in collaboration with Jana Sofie Liebe and Uma Naddermier in spring 2023.&lt;br /&gt;
&lt;br /&gt;Offset, Mixed 877 U, Biotop 100 g, 46 x 56 cm&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2154416070653319056445059478736/Supra-Sheet-Front_Crop.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;










Supra Sheet, Crop of the back side&lt;br /&gt;
&lt;br /&gt;
During our department’s six-week residency in Georgia, we came across the country’s many traditions related to food. From our very first meeting, to our last farawell, our gatherings took place around the georgian feast called Supra. Our underfined printed matter can serve as a tablecloth, wrapping paper, or a as a tool of distribution including talks we had about the meanings and social functions of Supra in Georgia. Designing and public baking in collaboration with Jana Sofie Liebe and Uma Naddermier in spring 2023.&lt;br /&gt;
&lt;br /&gt;Offset, Mixed 877 U, Biotop 100 g, 46 x 56 cm&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2154436581219119732621310276816/Danarti_front-2.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;










Danarti Magazine, Front cover&lt;br /&gt;
Tbilisi, Georgia, 2023&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;br /&gt;
In the fall of 2022, We, as a class from the Gerrit Rietveld Academie, went to Georgia for six weeks residency program. We produced one issue of the local Danarti Magazine which was dedicated to the phenomena of Budka—DIY architecture born in Georgia during the so-called Transitional Period of Post-Soviet countries. This issue was completely collated, designed, and edited by us. Cover and backcover designed in collaboration with Susu Lee.










&lt;br /&gt;
&lt;br /&gt;
Offset, CMYK, A3, 500 Copies&lt;br /&gt;
Designed and printed in Tbilisi, Georgia&lt;br /&gt;




&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2154436581348246941137277138128/Danarti_backside-2.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Danarti Magazine, Back cover&lt;br /&gt;Tbilisi, Georgia, 2023&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;
&lt;br /&gt;Offset, CMYK, A3, 500 Copies&lt;br /&gt;Designed together with Susu Lee. Printed in Tbilisi, Georgia.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2154573531027714573049918764240/WineGeekLogoGIF.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Winegeek Logo&lt;br /&gt;
Prague, Czech Republic, 2020
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2154579163667230503966666503376/WinegeekPrague.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Winegeek&lt;br /&gt;
Identity, Prague, Czech Republic, 2020&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2154616336402189710885090866384/Comp-1.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Jumping Jacks&lt;br /&gt;
Identity, Prague, 2021&lt;br /&gt;
&lt;br /&gt;
Set in Aach—typeface found in Otl Aicher’s home in Rotis, Germany as a part of sketches for the 1972 Munich Olympic Games identity. The typefaces was found and later digitalized by Simon Knebl who later added Czech diacritics for the project. 
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2156011070703942106112940422352/THO_Posters.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Turning History Online&lt;br /&gt;
Identity, Prague, Czech Republic, 2022
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2164195901029135578041827046608/HOM_final.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.86);&quot;&gt;I am Alan Turing&lt;br /&gt;Machine As Medium Symposium, 2023&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.82);&quot;&gt;New Haven, CT, USA&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Part of the the I am Alan Turing identity for Yale CCAM (Centrum for Collaborative Arts and Media at Yale)&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2164195901047582322115536598224/IAM_final.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.86);&quot;&gt;I am Alan Turing&lt;br /&gt;Machine As Medium Symposium, 2023&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.82);&quot;&gt;New Haven, CT, USA&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;Part of the the I am Alan Turing identity for Yale CCAM (Centrum for Collaborative Arts and Media at Yale)&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2164282162929704911585633744080/DanartiPinkPages2.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Danarti Magazine&lt;br /&gt;Tbilisi, Georgia, 2023&lt;/div&gt;&lt;div style=&quot;text-align: left&quot;&gt;
&lt;br /&gt;Offset, CMYK, A3, 500 Copies&lt;br /&gt;Designed and printed in Tbilisi, Georgia&lt;br /&gt;
In collaboration with Susu Lee




&lt;/div&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2164284044313132989222803059920/Milkshake_2022_instagram_regular_1350x1080.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Milk Shake&lt;br /&gt;
Poster, A3&lt;br /&gt;
Prague, Czech Republic, 2022
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2164284044128665548485707543760/Milkshake-na-Hollaru.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Milk Shake&lt;br /&gt;Poster, A3&lt;br /&gt;Prague, Czech Republic, 2022&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2164317076307449970558176179408/AmeliaPublication.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Amelia. Saugerties, New York, Saturday October 5th&lt;br /&gt;
Publication, Letter Size, CMYK, 250 Pages, Perfect Bound&lt;br /&gt;
&lt;br /&gt;
&amp;#x27;Dear Amelia&amp;#x27; is a series of letters written by Tomáš Hlava in 2024 to a typeface designed by Stanley Davis in 1963. Named Amelia, after his first-born daughter, it was submitted for the VGC Phototypesetting competition in 1965 and selected as the winning typeface; this is how the world got to know her for the first time.&lt;br /&gt;
&lt;br /&gt;
Given the context of the time, the new technology of phototypesetting, and the blurred boundaries of censorship in the type design field, Amelia&amp;#x27;s strokes were copied and resold by other type foundries. Davis didn&amp;#x27;t know his typeface had been published until he saw a TV promo for the film Yellow Submarine. “That was a double whammy for an avid Beatle fan,” Davis said. “Bitstream and Linotype stole my Amelia,” he added in a rare interview in 2002.&lt;br /&gt;
&lt;br /&gt;Since 2018, Hlava has been encountering and uncovering the mystery Amelia is wrapped in. Dear Amelia&amp;#x27; is an attempt to (re)connect these personal and typographic histories through the epistolary form. In these letters he describes how people got to see Amelia for the first time, the plagiarism the type foundries committed, his first encounters with Amelia in the Czech Mountains, and the moment he got to know her name. Later, he writes about the moment he decided to go to the place where Stanley Davis lived, Saugerties in upstate New York. There, through a series of coincidences, Amelia the typeface and Amelia the person begin to blur. Did he find her, is she alive, and does she know anything about this?&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2164330091094136527079256470736/TomasHlavaTypefaces.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Typefaces&lt;br /&gt;
Drawn, 2020—2024&lt;br /&gt;
&lt;br /&gt;
From left to right: Times, Gefko, Korbik, Korbik Raw, NIA, Roof Lines, Roof, Majorca, Stravastraat, Potatoe Typeface, Woodstock, YELLOW, Floorplan, Amelia Regular, Brighton, Bug Amp Horizontal, Bug Amp Vercal, Bug
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2164338556987521483119746462928/StanFree.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;StanFree, Typeface&lt;br /&gt;
Revival&lt;br /&gt;
&lt;br /&gt;
Yale School of Art, New Haven, CT, 2024
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2164415504352244749615141074128/HousingClinic_FrontCover.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Housing Connectitut: Designing Healthy and Sustainable Neighborhoods,
Yale School of Architecture, Yale School of Management, Yale Law School&lt;br /&gt;
&lt;br /&gt;Offset, 16,5 x 21,5 cm, 200 Pages, CMYK, Thread Sewn, 500 Copies, Munken Print White 80 g, Cottage 220 g&lt;br /&gt;
&lt;br /&gt;
New Haven, CT, USA, 2024
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2164415504518265446278527038672/HousingClinic_Complete.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Housing Connectitut: Designing Healthy and Sustainable Neighborhoods,
Yale School of Architecture, Yale School of Management, Yale Law School&lt;br /&gt;
&lt;br /&gt;Offset, 16,5 x 21,5 cm, 200 Pages, CMYK, Thread Sewn, 500 Copies, Munken Print White 80 g, Cottage 220 g&lt;br /&gt;
&lt;br /&gt;New Haven, CT, USA, 2024&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2164438460513587741908906915024/GRA_Majorca_Typeface.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Majorca&lt;br /&gt;
Custom typeface drawn for the Gerrit Rietveld Academie Graduation Show Identity 2023&lt;br /&gt;
&lt;br /&gt;
Amsterdam, The Netherlands, 2023
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2164447566619672520113095292112/KobrikRaw.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Korbik Raw&lt;br /&gt;
Typeface, Drawn in 2020
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2164457694878293166637248263376/BugNap.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Bug Nap, Typeface&lt;br /&gt;
Designed for horizontal writing only&lt;br /&gt;
Amsterdam, 2022
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2165672574107856424464095229136/Woodstock_Typeface.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Woodstock Typeface, Selected Letters&lt;br /&gt;
&lt;br /&gt;
Designed for Turning History Online Identity&lt;br /&gt;
Prague, Czech Republic, 2022
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2165685372901616621920035648720/AmeliaSpecimen.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Amelia Regular&lt;br /&gt;
&lt;br /&gt;
Specimen, Yale School of Art, 2023
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2165720578586468272894132991184/catalogue.tomashlava.com-2.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;library.tomashlava.com&lt;br /&gt;
Personal Catalogue
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2165734598886727543249162319056/Brighton_Typeface.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Brighton Typeface&lt;br /&gt;

&lt;br /&gt;
“The air marker is one of the simplest and least expensive aids to air navigation in common use in the United States, but it is at the same time one of the most effective and necessary, particularly so far as the private or itinerant flyer is concerned.”&lt;br /&gt;
&lt;br /&gt;
Digitalised from U. S. Civil Aeronautics authority, Civil Aeronautics Bulletin No. 12, AIR MARKING, October 1, 1938
&lt;/div&gt;&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2165766051249456004688211457232/Times_FrontBack.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Times, Typeface Revival&lt;br /&gt;
&lt;br /&gt;
In 1994, Mike Parker wrote an essay, &amp;#x27;Starling Burgess: Type Designer?&amp;#x27;, published in the Printing History Journal. The text reveals the biography of an American well-known engineer, yacht designer, and poet. Little information on Burgess survived from that period more than 90 years ago, with the rest being protected from being seen. Was Starling Burgess the original designer of Lanston No. 54, whose qualities are recognizable in the world wide known Times New Roman? Times is a typeface designed by Tomáš Hlava, based on Lanston No. 54.&lt;/div&gt;&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2165797737129517695216474502352/211202-medium-L1070316.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Medium&lt;br /&gt;
&lt;br /&gt;
Identity for Medium—A heavyweight T-shirt to lighten your head.&lt;br /&gt;Made in EU from 240g recycled cotton.&lt;br /&gt;
Prague, Czech Republic, 2022
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2165803948443395218401856435408/JJ_STAMP.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Jumping Jacks &lt;br /&gt;Identity, Stamp&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2165872408332042962616585663696/Medium.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Medium&lt;br /&gt;
&lt;br /&gt;Identity for Medium—A heavyweight T-shirt to lighten your head.&lt;br /&gt;Made in EU from 240g recycled cotton.&lt;br /&gt;Prague, Czech Republic, 2022&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2165903125038617764518716355792/Norfolk_CMYK_NoText.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Yale Norfolk School of Art, Making Light&lt;br /&gt;
New Haven, CT, USA, 2024&lt;br /&gt;
&lt;br /&gt;
Color drawing / Poster, A1
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2165905842188679589714540737744/YaleNorfolkSchoolofArr_Spring.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Yale Norfolk School of Art, Making Light&lt;br /&gt;
New Haven, CT, USA, 2024&lt;br /&gt;
&lt;br /&gt;Drawing, 4 tabloits
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2168592080451164660084574106832/Gefko_A-B_2.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gefko, Designed in 2023&lt;br /&gt;
Tbilisi, Georgia
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2173869461280316705177046725840/MachineAsMedium_Windows_Snow.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Machine As Medium&lt;br /&gt;

&lt;br /&gt;
Identity for CCAM (Yale Centrum for Collaborative Arts at Media)&lt;br /&gt;
New Haven, USA, 2023
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2178594999072087270315727893712/CJCH.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Concept sketch developed in Tomáš Celizna&amp;#x27;s class at the Gerrit Rietveld Academie. An exhibition catalogue reimagined in the format of a swatch—transforming the act of selecting and comparing into a direct commentary on competition and evaluation.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2188041560091717521285975487696/CCAM_illuminations_1080x1350_Black.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;CCAM Symposium: Illuminations&lt;br /&gt;New Haven, 2025&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2193184121895682680140146783440/SillyAmateurs.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Silly Amateurs Don&amp;#x27;t Cry&lt;br /&gt;
Kobrik in use on a spread with César Rogers&lt;br /&gt;
&lt;br /&gt;
Published by the Gerrit Rietveld Academie, 2022
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2196374957652882062592306427088/CCAM_MachineAsMedium_Poster.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Machine as Medium Symposium&lt;br /&gt;
CCAM, 2023
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2196376244866683526044818191568/ArtAndActivism_Poster.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Poster for Yale School of Art, Art and Activism&lt;br /&gt;
Stan Free in use, 2025
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2234152372529393578723187733712/YaleHousingClinic_2025.gif</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Housing Connectitut: Designing Healthy and Sustainable Neighborhoods,
Yale School of Architecture, Yale School of Management, Yale Law School&lt;br /&gt;
&lt;br /&gt;Offset, 16,5 x 21,5 cm, 200 Pages, CMYK, Thread Sewn, 500 Copies, Munken Print White 80 g, Cottage 220 g&lt;br /&gt;
&lt;br /&gt;New Haven, CT, USA, 2024&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2594556162870649565209283638480/BetterTies.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Times&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;In 1994, Mike Parker wrote an essay, &amp;#x27;Starling Burgess: Type Designer?&amp;#x27;, published in the Printing History Journal. The text reveals the biography of an American well-known engineer, yacht designer, and poet. Little information on Burgess survived from that period more than 90 years ago, with the rest being protected from being seen. Was Starling Burgess the original designer of Lanston No. 54, whose qualities are recognizable in the world wide known Times New Roman? Times is a typeface designed by Tomáš Hlava, based on Lanston No. 54.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2609983761213913013862713898192/TomasHlava_Amelia.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Dear Amelia&lt;br /&gt;
Herb Lubalin Lecture Series, Cooper Union, New York City, 2025&lt;br /&gt;&lt;br /&gt;
Dear Amelia is a series of letters written by Tomáš Hlava addressed to a typeface designed by Stanley Davis, named Amelia. It describes how the world got to know her for the first time, shaped by cases of plagiarism and its appearance on the famous Yellow Submarine album cover, and Hlava’s personal encounters—leading to a journey to Davis’s hometown, There, through a series of coincidences, Amelia the typeface and Amelia the person begin to blur.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2651691583285819606069112321232/GRA_Show_LVC.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Gerrit Rietveld Academie Graduations Show Identity 2023&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2786083860960349069465774044368/_MG_0010-bewerkt.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Housing Connectitut: Designing Healthy and Sustainable Neighborhoods,
Yale School of Architecture, Yale School of Management, Yale Law School&lt;br /&gt;
&lt;br /&gt;Offset, 16,5 x 21,5 cm, 200 Pages, CMYK, Thread Sewn, 500 Copies, Munken Print White 80 g, Cottage 220 g&lt;br /&gt;
&lt;br /&gt;New Haven, CT, USA, 2024&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2788492469581759034538705925328/cvut_rocenka_dokumentace_WEB_001.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;FA ČVUT&lt;br /&gt;

Faculty of Architecture YearBook 2024–25&lt;br /&gt;
&lt;br /&gt;
Prague, Fall 2025,
Designed together with Marek Nedelka&lt;br /&gt;
Photo by shotby.us
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2789311924663612671449046037712/cvut_rocenka_dokumentace_WEB_004.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;FA ČVUT&lt;br /&gt;Faculty of Architecture YearBook 2024–25&lt;br /&gt;
&lt;br /&gt;Prague, Fall 2025,
Designed together with Marek Nedelka&lt;br /&gt;Photo by shotby.us&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2789363733488041817294751773904/SYS_CaseStudy.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Strech Your Story&lt;br /&gt;
Fall 2025, For Lemon INC, New York City

&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2789465347746706727834019542224/GRATypeface.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Majorca&lt;br /&gt;Custom typeface drawn for the Gerrit Rietveld Academie Graduation Show Identity 2023&lt;br /&gt;
&lt;br /&gt;Amsterdam, The Netherlands, 2023&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2797218411163587480341830808784/CCAMIlluminations_3.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;CCAM Illuminaitions 2025&lt;br /&gt;
Animation Reel
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2798678757785445193462055285968/THO_Prague.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Turning History Online&lt;br /&gt;Identity, Prague, Czech Republic, 2022&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2808142720061482032421371491536/cvut_rocenka_dokumentace_WEB_010.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;FA ČVUT&lt;br /&gt;Faculty of Architecture YearBook 2024–25&lt;br /&gt;
&lt;br /&gt;Prague, Fall 2025,
Designed together with Marek Nedelka&lt;br /&gt;Photo by shotby.us&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2808154718967525705683734738128/cvut_rocenka_dokumentace_WEB_006.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;FA ČVUT&lt;br /&gt;Faculty of Architecture YearBook 2024–25&lt;br /&gt;
&lt;br /&gt;Prague, Fall 2025,
Designed together with Marek Nedelka&lt;br /&gt;Photo by shotby.us&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2811064639995231616273293358288/SYS_CaseStudy_3.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Strech Your Story&lt;br /&gt;Fall 2025, For Lemon INC, New York City&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2811065282458434215429557040336/SYS_CaseStudy_4.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Strech Your Story&lt;br /&gt;Fall 2025, For Lemon INC, New York City&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2811066135066945302285032731856/SYS_CaseStudy_2.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Strech Your Story&lt;br /&gt;Fall 2025, For Lemon INC, New York City&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2814883463536701098072048252112/Comp-3.mp4</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;RubberNRoad&lt;br /&gt;
New York City, 2026
&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
    
</urlset>
